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No!

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Have you noticed how delicately he knows
use the razor anymore?

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I assure you that any woman has
intend to get in touch with

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you will not be disappointed, nor dissatisfied, nor
wound.

5
00:00:50,390 --> 00:00:56,490
I am Madame Colette and I say a
special show in Zoo Strasse

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Frankfurt.

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The girl you are seeing, my dears
viewers, her name is Margaret and she is

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00:01:04,360 --> 00:01:05,860
one of the actresses who works for me.

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00:01:06,460 --> 00:01:11,620
Canai Film is looking for life documents
authentic erotica and I'm looking for others

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for my little theater.

11
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I thought so that if I realized
a film about my work, this

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it could have been transmitted from Canai
Film and reach you women, you who

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you are not afraid of eroticism, that is not
you are afraid of performing in front of people

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spectators.

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Maybe some of you make use of
porno videocassettes for them in bed

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for professional needs.

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00:01:35,590 --> 00:01:40,670
It is you who have the courage to live,
to think about erotic life and sex

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as something necessary for life
umana. A voi che non avete vergogna, ma

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che lo considerate con semplicità, con
naturalezza. È a voi che io mi rivolgo.

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Even Missy is part of my show.

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The first characteristic to be part of
it is to have the dick completely

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Being so glabrous, it can be better kept
in perfect hygiene conditions.

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00:02:33,210 --> 00:02:38,990
Then you have to know how to maneuver
the vibrator, slowly, but with

24
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And then, of course, you need to have a
natural sensitivity and predisposition

25
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to make love.

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00:02:48,670 --> 00:02:53,110
He is Marcus, like Margherita Nizzi, he
is part of my show.

27
00:03:23,180 --> 00:03:26,460
And he is Rambo. He is Mitzi's partner.

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Mitzi knows how to do this in public
too. And it's not easy.

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The barrier of pride raised for many
centuries of sexist education inhibits

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anyone of us to do this operation so
naturally when someone sees us.

31
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Yeah, that's good.

32
00:03:57,750 --> 00:03:58,589
Yeah,

33
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that's

34
00:04:20,310 --> 00:04:21,310
good.

35
00:04:26,270 --> 00:04:29,070
Come, come.

36
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Here we are in my theater, with the
stage costumes.

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Now it's Margaret who shows herself.

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Adesso sono Marcus e Missy.

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Thank you very much.

40
00:06:52,950 --> 00:06:53,950
Thank you.

41
00:07:44,140 --> 00:07:46,880
Now it's my turn with Tiggerford.

42
00:08:13,520 --> 00:08:18,540
The film you have seen broadcast by
Canai Film, over a private channel at

43
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had some success.

44
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Some girls called me in the theater, but
then nothing happened.

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00:08:27,040 --> 00:08:32,159
However, the actors who had interpreted
it complained that, given its short

46
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duration, they could not understand
anything of their bravery and, moreover,

47
00:08:35,960 --> 00:08:39,360
everything seemed unnatural, almost
stifled.

48
00:08:41,130 --> 00:08:44,890
Since the TV antenna that transmitted it
now gives me more time available,

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I take the opportunity to show all the
viewers the documentary that was shot a

50
00:08:50,550 --> 00:08:52,470
year ago in its full version.

51
00:08:52,850 --> 00:08:57,070
And I add, men and women, come and see
the show live.

52
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You will have a lot of fun.

53
00:09:30,380 --> 00:09:32,600
Let's put a little soap on it.

54
00:09:54,580 --> 00:09:56,320
Margaret doesn't feel anything.

55
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I have a light hand.

56
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It's a show on the run.

57
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Thank you for your time.

58
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um

59
00:12:27,330 --> 00:12:31,710
Now another pass of soap and then the
last ratatouille.

60
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It's true.

61
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One minute.

62
00:14:31,430 --> 00:14:37,650
Thank you very much.

63
00:15:49,260 --> 00:15:51,220
I just want to talk.

64
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Is everything okay?

65
00:16:08,730 --> 00:16:09,730
Yes.

66
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Thank you.

67
00:17:33,860 --> 00:17:39,700
Look how beautiful she is. So naked, she
has this beauty, this sharpness.

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00:17:58,380 --> 00:18:02,740
Sono convinta che anche Mitzi sia
eccitata vedendo la figa di Margaret

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aperta.

70
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options that.

71
00:19:25,710 --> 00:19:26,530
I don't

72
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know.

73
00:19:42,370 --> 00:19:43,370
I don't know.

74
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Yeah, let's do that.

75
00:21:12,520 --> 00:21:15,680
These special glasses are used to
stimulate the hair.

76
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Just a little bit. And the erotic
tension goes up significantly.

77
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Thank you very much.

78
00:23:58,250 --> 00:23:59,890
Now it's the turn of Mizi's fig.

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The skin of the fig, no longer protected
by the hair, is exposed completely,

80
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without defense, to kisses, to caresses.

81
00:24:12,970 --> 00:24:15,770
And the sensations flow with greater
intensity.

82
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No.

83
00:26:52,400 --> 00:26:53,400
Mwah!

84
00:27:34,199 --> 00:27:37,000
um um

85
00:28:06,979 --> 00:28:09,640
No idea what we've done, huh?

86
00:28:33,130 --> 00:28:36,950
I don't know if it's true, but it's
true. I don't know if it's true.

87
00:30:02,350 --> 00:30:05,030
Don't change the future, you know?

88
00:30:36,650 --> 00:30:42,230
Se Margaret con il vibratore è una vera
artista, Mitzi usando solo la mano non l

89
00:30:42,230 --> 00:30:43,230
'è inferiore.

90
00:33:03,280 --> 00:33:07,560
It's impossible that when you look at
them, you don't feel some kind of erotic

91
00:33:07,560 --> 00:33:08,279
fever.

92
00:33:08,280 --> 00:33:11,800
And if the thermometer doesn't go up,
it's time to go to the doctor.

93
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And now it's time to show you their
ability, not alone, but in company.

94
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To Margaret, it's Marcus, called
Sansone, because of the long hair.

95
00:35:26,600 --> 00:35:31,500
And to Miffy, it's Rambo, because he's
one of the few young people I know who

96
00:35:31,500 --> 00:35:32,720
did the military service.

97
00:35:47,630 --> 00:35:48,110
Oh my

98
00:35:48,110 --> 00:36:10,310
God.

99
00:36:37,730 --> 00:36:40,530
Thank you.

100
00:37:04,640 --> 00:37:07,440
. .

101
00:37:07,440 --> 00:37:14,200
.

102
00:38:52,090 --> 00:38:54,170
Oh, yeah.

103
00:40:17,840 --> 00:40:19,260
We are doing good.

104
00:40:19,500 --> 00:40:20,500
Good.

105
00:40:21,540 --> 00:40:22,860
Good career.

106
00:41:31,700 --> 00:41:34,500
Yeah. Yeah.

107
00:41:35,140 --> 00:41:37,420
Yeah. Yeah.

108
00:41:38,880 --> 00:41:40,280
Yeah.

109
00:42:22,680 --> 00:42:25,480
um um

110
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Oh.

111
00:43:18,039 --> 00:43:20,600
Thank you.

112
00:45:57,200 --> 00:45:58,200
Thank you.

113
00:47:18,020 --> 00:47:19,180
Oh, that's good.

114
00:47:32,950 --> 00:47:34,350
Yeah.

115
00:47:36,070 --> 00:47:37,470
Yeah.

116
00:47:40,610 --> 00:47:44,970
Yeah. Yeah. Yeah.

117
00:48:05,480 --> 00:48:06,520
Oh, my God.

118
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Thank you.

119
00:50:04,290 --> 00:50:05,290
Thank you.

120
00:50:48,910 --> 00:50:53,290
I don't want to hear anything about your
life.

121
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Oh.

122
00:54:32,270 --> 00:54:33,270
I'm coming, I'm coming.

123
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It could be said that what you have seen
is the general proof of the show.

124
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This, on the other hand, is the
representation in theater.

125
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I am also dressed for the occasion.

126
00:56:11,330 --> 00:56:14,350
Erotism is a fever that arises from the
confluence of two rivers.

127
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The sweetness, the languor, the
passivity are the waters of one. The

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00:56:20,430 --> 00:56:23,910
the cruelty, the dominion are the waters
of the other.

129
00:56:24,560 --> 00:56:28,860
For this reason, the stage equipment is
made up of chains that evoke the idea of

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00:56:28,860 --> 00:56:34,560
torture. For this reason, the actors'
stage costumes evoke prison, being

131
00:56:34,560 --> 00:56:41,280
prisoners. For this reason, I, who am
the director, am dressed militarily in

132
00:56:41,280 --> 00:56:42,280
black leather.

133
00:57:09,740 --> 00:57:11,120
It's nice to see you all again.

134
00:57:57,330 --> 00:57:59,870
You finally shared that kind of work,
buddy.

135
00:58:37,700 --> 00:58:38,700
Thank you very much.

136
00:59:26,480 --> 00:59:29,280
Hey! Hey!

137
01:00:19,310 --> 01:00:20,510
I think you have to do it a little bit
faster.

138
01:00:23,010 --> 01:00:24,010
Good.

139
01:00:24,350 --> 01:00:25,550
And now we're going to start.

140
01:00:55,790 --> 01:00:56,790
Thank you.

141
01:00:57,050 --> 01:00:58,050
Thank you.

142
01:01:35,970 --> 01:01:37,030
Hey! Hey!

143
01:02:37,939 --> 01:02:40,740
Oh, shit.

144
01:03:30,890 --> 01:03:31,890
No, no,

145
01:03:32,450 --> 01:03:33,450
no.

146
01:04:15,810 --> 01:04:17,270
I don't know.

147
01:04:48,589 --> 01:04:51,390
Hey! Hey!

148
01:05:46,180 --> 01:05:51,840
Oh my God.

149
01:06:03,820 --> 01:06:04,820
There we go.

150
01:07:29,549 --> 01:07:32,350
Hey! Hey!

151
01:07:45,960 --> 01:07:46,960
Please.

152
01:08:18,220 --> 01:08:19,220
Oh, God.

153
01:09:37,620 --> 01:09:40,420
um um

154
01:12:44,590 --> 01:12:45,590
Thank you.

155
01:13:16,330 --> 01:13:17,410
Thank you.

156
01:15:32,910 --> 01:15:33,910
Thank you.

157
01:16:49,980 --> 01:16:50,980
Oh

158
01:17:37,390 --> 01:17:38,390
I know...

159
01:18:21,450 --> 01:18:22,450
Bye.

160
01:19:12,940 --> 01:19:17,360
Of course, I don't behave in the show
like in the test, where I only do the

161
01:19:17,360 --> 01:19:20,120
stage manager and prepare mine
actors with my hands.

162
01:19:20,460 --> 01:19:23,840
I too, like Mizzi and Margaret, do
my share.

163
01:19:24,580 --> 01:19:29,280
I also like performing in front of
spectators and take my share of

164
01:19:29,280 --> 01:19:30,280
applause.

165
01:20:22,980 --> 01:20:25,780
Thank you.

166
01:21:19,520 --> 01:21:22,460
Please. Please.

167
01:21:53,290 --> 01:21:54,290
Thank you.

168
01:26:54,160 --> 01:26:55,560
Okay.

169
01:26:56,380 --> 01:26:57,380
Okay.

170
01:27:35,120 --> 01:27:36,640
I hope you had fun.

171
01:27:36,940 --> 01:27:39,640
And... See you soon.